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Since 1982, PCMag has tested and rated thousands of products to help you make better buying decisions. ( See how we test everything we review (Opens in a new window).) There are no flashy, garish design elements, just a simple classic look that also happens to be well-constructed.
The visual design scheme of the HDJ-2000 is also well thought-out. The ear pads and the underside of the headband are plush, and things never get uncomfortable, even during long listening periods. While both headphone pairs offer quality audio performance, the HDJ-2000 is far more secure-fitting and comfortable, and is generally a victory of design in ways that its less expensive sibling is not.Īvailable in black-and-chrome, matte white, or silver, the HDJ-2000 gets so many things right with its design, but the primary asset here is the aforementioned comfort. At $349 (list), it is significantly more expensive than the previously reviewed Pioneer HDJ-1500, and while it's sometimes difficult to justify the difference in cost between different models of the same line, in this case, it's plain to see why the HDJ-2000 is superior. The Pioneer HDJ-2000 is the flagship model of Pioneer's latest line of headphones for DJs. Cable connection jack is only on left ear.Cable features non-standard three-prong connection to ear-cup-only replaceable from manufacturer directly.
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Some of the below quotes have been edited for brevity and clarity. The answers, in all his own quotes, are below. To get a little more insight, we asked Garry to share the most popular receivers and amplifiers that people come to his shop for. For vintage restoration, Garry says that they work primarily on the 1960s vacuum tube gear and 1970s solid-state. “Unlike most audio equipment businesses out there, the most common equipment we sell is two-channel stereo,” he said. Garry’s shop, Hudson Valley HiFi, is located in Cornwall, New York, on the western shore of the Hudson River, and it specializes in both modern and vintage audio gear.
For consumers, this means they are either finding non-working units and getting them restored, or likely paying a premium on restored units. A lot of these vital parts, also, aren’t being made anymore because they’re so old, so restoring them isn’t a quick fix for technicians at these vintage audio shop. Old gear naturally breaks down over time and needs new parts to perform at their best. “The early 1970s muscle car may not be as reliable or perform as well as a modern one, but there is just something cool and fun about the 50-year-old model.” Like with vintage cars, vintage audio depends a heck-of-a-lot on restoration. “I constantly use the analogy of vintage cars running parallels with vintage audio,” says Mike Garry, owner of Hudson Valley HiFi, which specializes in buying, restoring and selling vintage audio equipment. Vintage units just have that special something that modern equipment lacks. And part of it has to do with charm and character. Part of it has to do with fidelity, that the old stuff sounds better. Part of it has to do with rarity, the thrill of hunting down a Marantz stereo receiver from the 1970s, heritage speakers by Klipsch or JBL, or a vintage Thorens turntable. For audiophiles, there’s no doubting the appeal of vintage audio equipment.
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